Travelling with The I Ching
On the morning train
the clear glass of the window
and there comes a line of water
like a crack along the glass
the line see-saws from one side to the other
everything is colder, intensifying the display
the line creates patterns, hoops and troughs
that suddenly fall out of sight―
the river and estuary below violent clouds
threaten like a plague of insects
while the reeds, lashed in rain
become peacocks
as if underwater
rising, their wing-span
with peering eyes
on the feather-vane green curtains
it is the ideogram of radiance and clinging fire:
an abundance of something is coming your way
use it wisely
early mornings
bring success
She becomes all of the landscape
You drive with a river on your left
through a valley and hills
to embrace another river on your right
high above what is happening
as your speck of life
with fire-edged beauty
burns through the senses
the foreground rolls into
an existing immensity
magnifying insight where this high
is boundless in the clear knowledge
that change itself does not abide
yet, change seems to preside over all
rules all, overcomes all
change is all between change
after change, and ever-changing
within the weakness of wanting
certain things to remain unchanged
but that is impossible
the songs must be true
because I love her to the point of madness
I must accept that what I will
is not always in my grasp, not always
what can be controlled
I can rise higher than the trees
their arms and limbs in choral forests
above the sea cliffs
the depths and deeps of oceans
are floating continental islands
and every country
swaying with the earth’s axis
and in rehearsal, I asked her:
is a blue flower seen
from outer spaces, strings…?
and her reply:
do you really need to ask
On the morning train
the clear glass of the window
and there comes a line of water
like a crack along the glass
the line see-saws from one side to the other
everything is colder, intensifying the display
the line creates patterns, hoops and troughs
that suddenly fall out of sight―
the river and estuary below violent clouds
threaten like a plague of insects
while the reeds, lashed in rain
become peacocks
as if underwater
rising, their wing-span
with peering eyes
on the feather-vane green curtains
it is the ideogram of radiance and clinging fire:
an abundance of something is coming your way
use it wisely
early mornings
bring success
She becomes all of the landscape
You drive with a river on your left
through a valley and hills
to embrace another river on your right
high above what is happening
as your speck of life
with fire-edged beauty
burns through the senses
the foreground rolls into
an existing immensity
magnifying insight where this high
is boundless in the clear knowledge
that change itself does not abide
yet, change seems to preside over all
rules all, overcomes all
change is all between change
after change, and ever-changing
within the weakness of wanting
certain things to remain unchanged
but that is impossible
the songs must be true
because I love her to the point of madness
I must accept that what I will
is not always in my grasp, not always
what can be controlled
I can rise higher than the trees
their arms and limbs in choral forests
above the sea cliffs
the depths and deeps of oceans
are floating continental islands
and every country
swaying with the earth’s axis
and in rehearsal, I asked her:
is a blue flower seen
from outer spaces, strings…?
and her reply:
do you really need to ask