1
THUD ., .., . . . .:
clatter-knock,
peal 'n' batter.
.. ., . . ., . . . . . .-., . . . .. ..
— Clash-conk,
— flump. . . .
(. ., ..., ., .).
.. . . . . .. bang..
. . . . tap-bunt!..
(. ., ., ., .)
;. . ., . ., . . . — whop!
(. ., ., ., .)
; . . . ., . . . .. . ., . . . .
lash 'n' rap
(. ., .. ., ., .)
; . . . . . . .. . . .
— and slap and slam, . . . .
(. ., ., ., .)
; — . ., . . . . .
whang-biff-cob,
and
flail-lick-baste
(. ., PROFOUND EDDY HURL, ., .).
PS:
how to perform
- the poem is the structure of the song:
- written words are lyrics;
- dots are musical phrases;
- comas are for stop-time;
- dashes are breakdown;
- semicolon is double-time break;
- exclamarks are for ripping glissandos;
- hyphens are for licks.
2
"The tit of the female mouse
got the lap from the sucking lips...
if only
fool there was
for milk to pull."
RAP-DAB-BOB
this bad pill
Weary pall laps dim
because of restless breathing.
THUD ., .., . . . .:
clatter-knock,
peal 'n' batter.
.. ., . . ., . . . . . .-., . . . .. ..
— Clash-conk,
— flump. . . .
(. ., ..., ., .).
.. . . . . .. bang..
. . . . tap-bunt!..
(. ., ., ., .)
;. . ., . ., . . . — whop!
(. ., ., ., .)
; . . . ., . . . .. . ., . . . .
lash 'n' rap
(. ., .. ., ., .)
; . . . . . . .. . . .
— and slap and slam, . . . .
(. ., ., ., .)
; — . ., . . . . .
whang-biff-cob,
and
flail-lick-baste
(. ., PROFOUND EDDY HURL, ., .).
PS:
how to perform
- the poem is the structure of the song:
- written words are lyrics;
- dots are musical phrases;
- comas are for stop-time;
- dashes are breakdown;
- semicolon is double-time break;
- exclamarks are for ripping glissandos;
- hyphens are for licks.
2
"The tit of the female mouse
got the lap from the sucking lips...
if only
fool there was
for milk to pull."
RAP-DAB-BOB
this bad pill
Weary pall laps dim
because of restless breathing.